Oops meant to be a link to a trend website, try this ...
www.trendwatching.com
Much better!
Thursday, 9 May 2013
Wednesday, 13 March 2013
Very Nice Things Business Trend Forecasting
So, today's lesson introduced me to a business owner/ entrepreneur called Emma Blackman. She runs her own on-line business selling gifts and homeward to global markets.
Today's visit was to give us an insight into her business and brief us on a trend assignment for her. She holds very clear brand values for Very Nice Things and pitches her business at the boutique end of the market. Her business is heavily biased to the customer and all her products are hand packed and finished with care to give that individual touch.
www.verynicethings.co.uk
My brief was to study homeware; craft & interiors product trends over the next 6 months to 2 years including - A/W 2013/14; SS2012 & A/W 2014/15 and forecast a trend story to cover some or all of that period suitable for my brand "Very Nice Things" customer.
To begin the design process, I needed to research VNT first hand to get a clear idea of their brand aesthetic, I also looked at market competitors Emma considered VNT to be in direct competition with.
www.notonthehighstreet.com
www.anthropologie.com
This gave me a clear picture of the VNT brand; their customer; and their market competitors.
Next stop was WGSN and other sources of trend watching such as
www.trendwatch.com
www.worldofinteriors.com
www.elledecoration.co.uk
and many other websites for inspiration on colours and product styles and materials and to get a clear picture of interiors emerging trends for SS14 and AW 14/15.
I also considered other emerging trends in fashion that may be relevant as Emma intimated the link between home furnishings and fashion trends ( which I had previous experience myself when I worked for Courtaulds Home Furnishings previously as a bedlinen designer for the high street).
I found lots of evidence about lacework structures and was building up a trend story around this: I looked at architecture & metal work and many varied products inspired by lacework - I even found a picture of lacework candles!
I decided after looking at WGSN and other sources of trend forecasting for materials and homeward products where I found many references to metal traceries to name my first trend 'StructuredTraceries'.
Here are my two mood boards with their trend writing explaining their story ...
I really enjoyed composing the trend board imagery and trend stories. I love the creative process behind generating the final pieces and the satisfaction it gives me when all the hard work is done.
... 4 visually alluring boards whose intriguing stories come alive in text to inspire my client to buy products for her business going forward that are not only on trend, but will appeal to her customer so they will buy her goods from 'Very Nice Things!
Today's visit was to give us an insight into her business and brief us on a trend assignment for her. She holds very clear brand values for Very Nice Things and pitches her business at the boutique end of the market. Her business is heavily biased to the customer and all her products are hand packed and finished with care to give that individual touch.
www.verynicethings.co.uk
My brief was to study homeware; craft & interiors product trends over the next 6 months to 2 years including - A/W 2013/14; SS2012 & A/W 2014/15 and forecast a trend story to cover some or all of that period suitable for my brand "Very Nice Things" customer.
To begin the design process, I needed to research VNT first hand to get a clear idea of their brand aesthetic, I also looked at market competitors Emma considered VNT to be in direct competition with.
www.notonthehighstreet.com
www.anthropologie.com
This gave me a clear picture of the VNT brand; their customer; and their market competitors.
Next stop was WGSN and other sources of trend watching such as
www.trendwatch.com
www.worldofinteriors.com
www.elledecoration.co.uk
and many other websites for inspiration on colours and product styles and materials and to get a clear picture of interiors emerging trends for SS14 and AW 14/15.
I also considered other emerging trends in fashion that may be relevant as Emma intimated the link between home furnishings and fashion trends ( which I had previous experience myself when I worked for Courtaulds Home Furnishings previously as a bedlinen designer for the high street).
My stories were beginning to take shape ...
I found lots of evidence about lacework structures and was building up a trend story around this: I looked at architecture & metal work and many varied products inspired by lacework - I even found a picture of lacework candles!
I decided after looking at WGSN and other sources of trend forecasting for materials and homeward products where I found many references to metal traceries to name my first trend 'StructuredTraceries'.
Here are my two mood boards with their trend writing explaining their story ...
I collected many images via Google Images and then edited; manipulated; designed and composed my mood boards (remembering to focus on my trend forecast) using Photoshop.
Prior to this composition, I researched Interiors and Global colour edits for the relevant seasons to begin building up my colour stories edits.
It was not only important to choose images that portrayed my predicted trend but also to choose them in colours where possible of my trend - of course using Photoshop allowed me to manipulate my images to fit in with my colours trends should this not prove to be possible.
Although this was part of my final task - to write my trend back stories to explain the integrity of my trend I have placed this here so it is in context with the correct trend boards.
Here is my Structured Traceries trend story ...
Structured
Traceries
This trend story is influenced by
WGSN macro trend for autumn /winter 2014/15 of ‘Industrial Evolution’ where
elements of craft and industrial production combine to produce a more ‘crafted’
yet commercially viable ‘of-the-moment’ look.
Direct influence moreover of the
emerging catwalk trend of ‘delicate decadence’ and a definite nod to the ever-stronger
vintage fashion movement drives this theme forward. In particular the continuing trend for lace
work and cut-out under pins perfectly just how vintage and modern merge
hand-in-hand in terms of reinterpreting a vintage look and feel in a very
modern and contemporary way. The use of
laser cutting technology facilitates new ways to envision cut -work on many new
and unassuming products putting the
‘WOW’ factor and wonder of just ‘how things are made’ back into the
buying experience of the consumer.
As the winds of austerity swirl so too the intricate traceries of lace
work twist and turn to show organic and endlessly patterned forms testing our visual
senses to the max. Yet the structured
element of the traceries allows us comfort – like a perfect circle – we can
follow the patterning from its beginning through all its twists and turns to
its conclusion safe in the knowledge its beauty holds our gaze to the end.
This trend is intuitive – you can
simply feel it is right – when you see a product organically inhabiting its space,
emotional connections are made as those movement ebb and flow through its
beautiful structured tracery.
Customers are more discerning and
tired of the all-consuming buying habits of old – quality is the new
appreciation once more, and built in obsolescence no longer is accepted as the
consumer parts with their hard earned money.
So value in aesthetics and an emotional need for security give comfort
in the knowledge that not only do products look beautiful, but they are also
built to last and this connection is there for longevity. Our pre-occupation with ‘stuff’ becomes more
mature and our buying habits change to facilitate this new awakening of our
emotions as consumers expect more from their purchases.
Sustainable materials; innovative
technologies; metals; ceramics; light enhancing glassware are all materials to
be cherished as the craftsman explores new and more meaningful ways in the
context of today to design the products of tomorrow.
Importantly, this trend celebrates the ‘crafter/ designer’ small scale
producer and micro businesses and is well placed to put our economy back on the
road to recovery. Its optimistic essence
is echoed in the colour palette that embodies the trend: colours such as
calico; putty; sandalwood; terracotta and cinnabar give us a cosy glow as we
are wrapped in nostalgia from our hand-crafted vintage past contrasted with
graphite; tourmaline; sapphire; amazonite and titanium forging steadfast into
our promising future.
By Noelle Brandwood
For ‘ Very Nice Things’ trend story assignment
March 2013
My second trend story was forming out of trend research that highlighted Arts & Crafts - in particular William Morris floral prints and a trend towards craft and artisan activity. The floral element also touched on WGSN macro trend of Next Nature for SS14, thus my second trend became called: 'Sensual Nature' highlighting products with sensual curves made out of porcelain; ceramics and glass.
Here are my 2 mood boards for this trend ...
My final piece of trend writing as the previous one had to include back story of the trend; materials; colours; shapes & forms; styles and the naming of each of the 8 colours in both of the trends.
I give you ... the trend story for the 'Sensual Nature' Trend ...
Sensual Nature
This trend story is influenced by
WGSN macro trend for spring/summer 2014 of ‘Next Nature’ as elements of natures
alluring essence combine to produce a depth of colour and pattern reminiscent
of William Morris and the Arts and Crafts movement yet given a modern and evocative
twist.
The craft-lore trend for ‘sanctuary
and sanity’ found in well-made and lovingly crafted products’; a touch of
vintage and zany floral fusion all combine to steer this trend to the fore. In particular an emerging trend for embroidery
and tapestries juxtaposes the traditional with the modern as it contrasts
natures more formal botanical side with its more exhilarating sensual plant
forms to engender a look and feel of contemporary freedom. The influence of organic, flowing plant and
botanical forms echoes the sensual curves of a William Morris design, whilst
the reinterpretation of living colours gives sensual plant forms an exciting
perspective as colours emphasise an effervescent quality of optimistic contemporary
fun.
Nature affects us on a sensory
level – we feel the curves and bask in the colour of this story as it lifts our
spirits to soar. Its opulence engulfs us
emotionally as our senses heighten to its’ visual buzz. Its provocative undulations grasp our
imaginations and transport us to a magical moment in time where we feel alive
as the eclectic mix of design; art and musicality of form capture our spirits
subliminally and impel them to a new level of appreciation.
This trend is not for the feint
hearted but embodies subversion – although strongly rooted in nature it pushes
the boundaries of designs and fuses the craft with the technological in terms
of design possibilities – it is not frail but takes its strength from
challenging preconceptions of form and function to overcome precepts of design
boundaries capitalising on the technological design advances available to use.
The colour palette for sensual
nature is clean and clear with a bias to verdant tones; colours are bright and
strong yet well balanced to create a progressive and contemporary feel and
yellow is a key accent in the form of mimosa.
Camellia; mimosa; amaryllis;
peony; hellebore; laurel; eucalyptus; acanthus; anemone; and gilt make up the colour palette for
this trend as a nostalgic glimpse at times gone by is given a contemporary
twist in the way the colours are used together, further contrasting the
entwining of the organic and the industrial in terms of pattern and
shapes. Forms are flowing and fluid in
their design with intricate fluting or frilled curvaceous structure giving the
impression of the fantastical botanical.
Materials such as resin; glass; corian; leather; mirror; wax and stained
wood are used with flowers; seeds and leaves being a source of inspiration as
form and function merge into one in a fusion of aesthetic sensuality and
functional form. This trend builds on The
Craft Movements past aesthetic traditions as it celebrates nature in a
modernistic way reinterpreting past visual perceptions to create a more
relevant vision of sensual nature for todays’ consumer.
By Noelle Brandwood
For ‘ Very Nice Things’ trend story assignment
March 2013
Here, I hope you see as I do,
Wednesday, 13 February 2013
Diversity NOW
' All Walks Beyond the Catwalk is an initiative founded by Caryn Franklin; Debra Bourne and Erin O'Connor working with influential Catwalk designers and top industry creatives to celebrate more diversity within the fashion industry '
The idea of the competition was to inspire creative students to produce a piece of work highlighting important issues within the fashion industry related to the need for diversity of image.
I chose to write a journalistic piece as I wanted to express my opinion on this occasion in words. I feel passionately about design and in particular fashion yet I also feel there is an ' unfairness' that has permeated its way into the industry, leaving many of its consumers feeling discontented with their 'look'. Unattainable imagery seems to be the order of the day and aspirational marketing, whilst not a totally bad idea, is being used today in such a damaging way, that the health of the industries fashion consumers is at risk of being seriously damaged.
Where did I start? ...
Analysis of my brief focused me more directly to the task I had to fulfil:
Here's my angle ...
Body ideal
Fear insecurity
Emotional craving
Individualistic attitude
Writing and
thinking that ‘shines a light’ on the way forward
‘Challenging
belief’ that only one body ideal is ‘aspirational and market worthy’
What drives
‘fashion’?
Who makes it
work?
Who does
fashion influence?
What
responsibilities if any, does fashion have?
Who is
fashion responsible to?
What causes
‘change’ in social attitude?
What is
image?
1.
im·age
/ˈimij/
Noun
|
||||||
Verb
|
||||||
Synonyms
|
Wanted: Fashionable Female Aged 50+ (Possible title?)
‘Polemic argument’ – thought provoking journalism
Dr. Ben Barry - work
A child of the sixties, I am by definition a ‘baby boomer’,
A brief
analysis of current culture of beauty and body ideals (from my perspective) – a
thoughtful or adventurous journey through or about image
A quick word association around image and the fashion industry - this is what I came up with ...
Fear; emotional insecurity; fitting in vs. standing out; poor
lifestyle choices; image dictatorship – tells you who to be; what to do/ say;
how to do/say it; lack of individualistic thinking/being; seeking acceptance/
reassurances – self-doubt; shock value;
Psychological suppression; collaborative thinking;
collective conditioning; self-promotion
The competition wants me to see this as the angle from which to write my piece:
So here is my sketchbook showing all the research I collected; edited and composed into a story from which I was able to write my editorial piece.
By the way, I must have drafted it and edited and re-drafted about 20 times till I got it just how I wanted it!
Unfortunately, I can't post my piece until after the competition, be patient though, I will eventually ... it/s called
"Wanted: All Types of Fashionable People"
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